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the 512 has stereo inputs and outputs on unbalanced jacks, no MIDI, and no power switch.
has integralnoise gate, the threshold of which is controlled by a screwdriveradjustable pot on the rear panel.

90dB signaltonoise ratio, 16bit/44.1kHz sampling, and a 20Hz16kHz audio bandwidth.

32 basic effects combinations via the 16way Effect switch and the Bank button, a Preset switch selects between 16 variations.

Bank A holds 16 different single effects, comprising various reverb types, mono and stereo delays, chorus, flange, phasing, panning and pitch shifting. If a reverb, for example, is selected, the two Parameter controls mentioned earlier vary the stereo width and the EQ, and the 16 variations provide different decay times. In delay mode, you can control decay time (up to 740ms in mono mode), and regeneration, while modulation effects can have their rate and EQ controlled (though I rather expected that rate and depth would be controllable). There's also a pitchshifter, which can be used either for detuning, or for pitchshifting by up to an octave in either direction, in semitone steps. As with the modulation effect, EQ control is provided.

Bank B combines the modulation effects with either reverb or delay; the user can control delay/decay time, and the balance between the two effects.