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AKG D330 BT vendo perfettamente funzionante trattato con i guanti

I partnered this with the Beyer Soundstar Mk II from a previous survey so as to retain my bearings. It is obvious that the AKG hasa more forward vocal presence; this at the minimum setting of the three available. The response should not be seen as treble lifts but as broad peaks between about 3kHz and 10kHz. The switch indications might indicate the former, as can be seen in the mic's photograph, but then it would be difficult to show the true state. The mic is versatile in the bass region also, as there is a similar three-position switch operating in this area. Its purpose is to cancel the proximity rise of close usage, and this it does in its mid position, but I find the cut overdone in the third position. Somewhat like a telephone call in sound in my view! I certainly am cheered to find that the subjective results tie in very well with what I would expect from the curves on AKG's user instructions. The third switch position curve is already some 4dB down at 1kHz, and it certainly sounds like it with a noticeable reduction in signal level.
As mentioned earlier, Anita Tedder of The Crew was taken with the D 330 BT. She and Chris offered some pointers on the design features of vocal mics from their stage performance point of view. Mesh headed mics appeal, and preferably these should be silver coloured as it greatly helps in finding the right place to sing to when faced with the glare of the stage lighting. Also the tapered body shape of many vocal mics meets with their favour. The AKG D330 BT mic has a tapered body and silver coloured mesh head!
Some of the AKG booklets are full of great detail on mics in general and their individual designs. Perusal tells me that the D330 BT has 'two counterphased acoustic transducers: one receiving sound: the other picking up impact and handling noise only'. Sounds like a good idea, so I set about comparing the handling noises of all the rece